1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.  Related Paintings of Paul Signac :. | Forest | Impression | Dinner room | Montmartre-s Studio | Breakfast |
Related Artists:
jan massys
1509-1575
Alexander Wilson
Alexander Wilson (July 6, 1766 - August 23, 1813) was a Scottish-American poet, ornithologist, naturalist, and illustrator. Wilson was born in Paisley, Scotland, the son of an illiterate distiller. In 1779 he was apprenticed as a weaver. His main interest at this time was in writing poetry (Robert Burns was seven years older than Wilson). Some of Wilson's work - commenting on the unfair treatment of the weavers by their employers - got him into trouble with the authorities. The "golden age of Renfrewshire song" is embodied in the persons of Wilson and Robert Tannahill. Alexander Wilson was born near the Hammils, a broad if not steep waterfall in Paisley where the River Cart skirts Seedhill. It does indeed appear to be the case, as William Motherwell states, that a great amount of literary activity began in Paisley around this time. Illustration from "An American ornithologyIn May 1794 Wilson left Scotland with his nephew to find a better life in America. Wilson obtained employment as a schoolteacher in Milestown, near Philadelphia. In 1801 he left Milestown and found a new teaching post in Gray's Ferry, Pennsylvania; Wilson took up residence in nearby Kingsessing. It was here that he met the famous naturalist William Bartram who developed Wilson's interest in ornithology. In 1802 Wilson decided to publish a book illustrating all the North American birds. With this in mind he traveled widely, watching and painting birds and collecting subscribers for his book. The result was the nine-volume American Ornithology (1808-1814), illustrating 268 species of birds, 26 of which had not previously been described. He died during the writing of the ninth volume, which was completed and published after his death by his friend George Ord. Wilson lies buried next to Ord at Gloria Dei Church cemetery in Philadelphia, Pennsylvania.
Jean Delville
Belgian Symbolist Painter, 1867-1953 Belgian painter, decorative artist and writer. He studied at the Academie Royale des Beaux-Arts, Brussels, with Jean-Franeois Portaels and the Belgian painter Joseph Stallaert (1825-1903). Among his fellow students were Eugene Laermans, Victor Rousseau and Victor Horta. From 1887 he exhibited at L Essor, where in 1888 Mother (untraced), which depicts a woman writhing in labour, caused a scandal. Although his drawings of the metallurgists working in the Cockerill factories near Charleroi were naturalistic, from 1887 he veered towards Symbolism: the drawing of Tristan and Isolde (1887; Brussels, Musees Royaux B.-A.), in its lyrical fusion of the two bodies, reveals the influence of Richard Wagner. Circle of the Passions (1889), inspired by Dante Alighieri Divina commedia, was burnt c. 1914; only drawings remain (Brussels, Musees Royaux B.-A.). Jef Lambeaux copied it for his relief Human Passions (1890-1900; Brussels, Parc Cinquantenaire). Delville became associated with Josephin Peladan, went to live in Paris and exhibited at the Salons de la Rose+Croix, created there by Peladan (1892-5). A devoted disciple of Peladan, he had his tragedies performed in Brussels and in 1895 painted his portrait (untraced). He exhibited Dead Orpheus (1893; Brussels, Gillion-Crowet priv. col.), an idealized head, floating on his lyre towards reincarnation, and Angel of Splendour (1894; Brussels, Gillion-Crowet priv. col.), a painting of great subtlety.